9 LIVING WOMEN POETS, 4 NEW POEMS
ASYNCHRONOUS with LIVE ELEMENTS
This is a is a generative poetry workshop for accomplished poets who want to closely explore the work of living women poets in order to inspire new work and engage their practice. We will draw from my own curated feminine canon which includes Erica Hunt, Brenda Hillman, Maureen Owen, Donika Kelly, Marilyn Chin, Monica de la Torre, Trish Salah, Cheryl Boyce-Taylor, Lydia Cortès, Megan Peak, Tonya Foster, et al. We will read 9 living women poets and write 4 new poems over 4 days; and, we will meet via Zoom on the final day to read your new poems from this vibrant canon.
BIOGRAPHY
Patricia Spears Jones is a poet, playwright, educator, cultural activist, anthologist, and recipient of 2017 Jackson Poetry Prize and is author of A Lucent Fire New and Selected Poems (2015) and 3 full-length collections and five chapbooks. She co-edited the groundbreaking anthology, Ordinary Women: An Anthology of New York City Women (1978) and organized and edited THINK: Poems for Aretha Franklin’s Inauguration Day Hat (2009). Her poems are widely anthologized most recently in African American Poetry: 250 Years of Struggle and Song and Why To These Rocks: 50 Years of Poems from the Community of Writers. Her poems are published in Plume, The New Yorker and The Brooklyn Rail. Essays, memoir and interviews are published in Furious Flower: Seeding the Future of African American Poetry; The Whiskey of Our Discontent: Gwendolyn Brooks as Conscience and Change Agent; and journals including The Black Scholar, Bomb, Tribes, Pangyrus, The Poetry Project Newsletter, Rumpus and The Writers Chronicle. The Museum of Modern Art commissioned the poem “Lave” for the exhibition, Jacob Lawrence: The Migrations Series. Mabou Mines commissioned and produced two plays “Mother” with music composed by Carter Burwell and Song for New York: What Women Do When Men Sit Knitting with music composed by Lisa Gutkin.
She received grants and awards from the National Endowment for the Arts; New York Foundation for the Arts; Foundation of Contemporary Art; a Robert Rauschenberg Residency and residencies at the Virginia Center for the Creative Arts, the Millay Colony, Yaddo, and the Camargo Foundation, Cassis, France via the BAU Institute. She is Emeritus Fellow for Black Earth Institute and organizer of the American Poets Congress.