ASYNCHRONOUS

The poet’s ultimate representation on the page is the poetic voice. Sharon Olds sounds like “Sharon Olds” because of her language choice, syntax, and line breaks. Yusef Komunyakaa’s linguistic swing is identifiable in a room full of poets thanks to his unique understanding of assonance, consonance, and imagery. Fortunately, for those of us who write poetry, the “voice” of the poet isn’t always the same thing as the “voice” of the speaker in a poem. There is a natural, creative separation between the language we use to order a meal and the language we use to create a poem. That creative language and the ways it is constructed for poetry is the true “voice” of the poet. It is, in fact, a poetic persona. In this class we will study the work of poets with clear poetic personae or “voices” in order to develop a more effective poetic voice for ourselves. We will also look at a small sampling of persona poems and talk about the use of persona to explore the mechanics of voice. The poems we read will serve as models for new poems we will generate together through a series of free and directed-writing exercises. This workshop will be relaxed and supportive and ideal for beginning poets as well as more advanced writers who would are interested in experimenting with voice and persona.

Optional LIVE Elements: two optional, one-hour synchronous group discussions; 1-on-1 zoom conferences for all participants.