A series of prints made from discarded Riso master pages is glued to the walls. They are images I didn’t create, but found and repurposed. You are invited to rip them off, to participate in their disappearance. Leaving behind only traces, the space becomes a surface for memory and erosion.

These prints, titled Remnants, emerge from a nomadic practice rooted in collecting. Since 2022, I’ve been working with found and discarded materials, cheap consumer goods, things not meant to last. An abundance of trash from the street becomes treasure. I collect what others leave behind and turn it into something fragile, poetic, and temporary.

Having never called a place home for long, I search for grounding in small details. I walk, I look, I gather. This practice of noticing is my home. Pieces that were once cheap, forgotten, and unloved are cared for, preserved, transformed into tender architecture. My process is a meditation on impermanence.
What does it mean to leave a mark that won’t last?

This show marks the end of the seven-month FAWC fellowship in Provincetown. It’s a ceremony, a gesture of letting go, of returning borrowed things, of saying goodbye. Not just to the work, but to the people, a temporary home, gifted time.

You are invited to rearrange, displace, and intervene with the objects. The space is open for interaction and change. Nothing here is meant to last.