Offerings
The Art of the Epistolary Poem: a Generative Workshop Jennifer Franklin Live Workshop
Poetry
March 30 to April 3, 2026
Tiered Tuition
$250-$600
Reserve My Spot This offering is not currently available for registration. Please check back or email Jennifer Jean at jjean@fawc.org for any questions.
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About the Offering

March 30th-April 3rd from 3pm-5pm (Eastern)

What is an epistolary poem? As Edward Hirsch writes in A Poet’s Glossary, it is a “letter poem… addressed to a specific person and written from a specific place, which locates it in time and space. It imitates the colloquial familiarity of a letter, though sometimes in elaborate forms. Some are addressed to those long dead, others to contemporaries. But unlike an actual letter, the letter poem is never addressed to just its recipient; it is always meant to be overheard by a third person, a future reader.”

In this generative workshop, we will read some memorable epistolary poems and, through a series of prompts, write drafts of our own—or, “letters to the world” as Emily Dickinson called her poems. We will start the class by reading an excerpt of one of Dickinson’s three “Master Letters.” We will read also read work by Lucie Brock-Broido, Jessica Cuello, Victoria Chang, Kazim Ali, Kim Addonizio, Matthew Olzmann, Oliver de la Paz, Jennifer Martelli, Marcus Wicker, Lucille Clifton, Carolyn Forche, Paisley Rekdal, Frank O’Hara, and Evie Shockley.

This workshop is open to poets at every level.

About the Instructor/Moderator

Jennifer Franklin is a poet, professor, and editor. She is the author of four poetry collections including A Fire in Her Brain, chosen by Rowan Ricardo Phillips for the Princeton Series of Contemporary Poets (Princeton University Press, January 2027), named one of the most anticipated poetry books of the year by LitHub, and of the fall season by Publishers Weekly and Associated Press. Recent work has been published in American Poetry Review, Bennington Review, “poem-a-day” on poets.org, and Prairie Schooner. She is the recipient of grants from the New York Foundation for the Arts and Café Royal Cultural Foundation, and residencies from Hawthornden Castle in Scotland and the T.S. Eliot House in Gloucester, MA. She teaches in Manhattanville's MFA program and her own deep revision manuscript workshops.

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