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Poetry
November 18-22, 2024
Open to All
Tiered Tuition
$
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0 Reserve My Spot This offering is not currently available for registration. Please check back or email Jennifer Jean at jjean@fawc.org for any questions.
LIVE via ZOOM: 3pm-5pm (Eastern Time)
In this class, we will read, study, and discuss the craft elements of American sonnets—less structured, more musical, and innovative than traditional Shakespearean or Petrarchan sonnets.
We will consider examples by Wanda Coleman, Claude McKay, Gwendolyn Brooks, Rita Dove, Patricia Smith, A.E. Stallings, Lucille Clifton, Terrance Hayes, Ada Limón, Jericho Brown, Monica Youn, Diane Seuss and others—to see the ways these writers have managed to create magic from their imagination, research, or their lives in just fourteen lines. Diane Seuss has said that her Pulitzer prize-winning collection, frank: sonnets is “if I have to say, about life.” All of these powerful poems beguile and pack a punch.
Each day, we will bring in a draft of an American sonnet to workshop and revise.
Louise Glück writes, “Poetry survives because it haunts and it haunts because it is simultaneously utterly clear and deeply mysterious; because it cannot be entirely accounted for, it cannot be exhausted.” Join me in reading and writing haunting, mysterious sonnets.
Jennifer Franklin
is the author of four poetry collections, including If Some God Shakes Your House (Four Way Books, 2023), finalist for the Paterson Prize and Julie Suk Award. Poems from her forthcoming collection, A Fire In Her Brain, (epistolary poems to Virginia Woolf, Lucia Joyce, and Sylvia Plath) have been published in American Poetry Review, The Bennington Review, Poetry Northwest, The Montreal International Poetry Anthology, Prairie Schooner, The Pushcart Prize Anthology, and as a "poem-a-day” on poets.org. Her work has been commissioned by The Metropolitan Museum and published in The Paris Review, The Nation, The Compact Bedford Introduction to Literature, and as part of the Poetry Society of America’s “Poetry in Motion” series. Her work has been supported by The T.S. Eliot Foundation, NYFA/City Arts Corp, Poetry by the Sea (Jon Tribble Editing Fellowship), and Cafe Royal Cultural Foundation. She was interviewed for the forthcoming documentary, Poetry is Not a Luxury, along with poets Jane Hirshfield, Joy Harjo, and Marie Howe. She is cofounder and cohost of “Words Like Blades,” an online reading series that amplifies new work by marginalized emerging writers and their mentors. Franklin is coeditor of the anthologies Braving the Body (Small Harbor Publishing, 2024) and The Big Brutal Act (Small Harbor Publishing, 2026). She teaches in Manhattanville's MFA program and her own manuscript revision workshops.