Alysia Abbott
  Alysia Abbott's memoir, Fairyland, was a New York Times Book Review Editor’s Choice, and was named Best Book of the Year by the San Francisco Chronicle and Shelf Awareness. Fairyland has been translated into Polish, Spanish, Italian, and French and has been awarded the ALA Stonewall Award and the Madame Figaro “Prix de l'Héroïne” Literary Prize. Her work has appeared in The New York Times, The Boston Globe, TriQuarterly, Lit Hub, Vogue, and elsewhere.  Formerly the Director of the Boston Literary District, she now leads the Memoir Incubator Program at GrubStreet in Boston. The Call Is Coming from Inside the House WRITING THE FAMILY: A MEMOIR WORKSHOP - LIVE
Alysia Abbott
  Alysia Abbott's memoir, Fairyland, was a New York Times Book Review Editor’s Choice, and was named Best Book of the Year by the San Francisco Chronicle and Shelf Awareness. Fairyland has been translated into Polish, Spanish, Italian, and French and has been awarded the ALA Stonewall Award and the Madame Figaro “Prix de l'Héroïne” Literary Prize. Her work has appeared in The New York Times, The Boston Globe, TriQuarterly, Lit Hub, Vogue, and elsewhere.  Formerly the Director of the Boston Literary District, she now leads the Memoir Incubator Program at GrubStreet in Boston. The Call Is Coming from Inside the House WRITING THE FAMILY: A MEMOIR WORKSHOP - LIVE
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Erin Adair-Hodges
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize, and Every Form of Ruin, both from the Pitt Poetry Series. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. She has received fellowships and scholarships from the Adirondack Center for Writing, Bread Loaf Writers Conference, Sewanee Writers Conference, and Vermont Studio Center. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri. A Book, By Hook and/or Crook: Bringing Your Novel into the World Bell, Book, and Candle: Disruptions and Incantations Fail Up--: A Poetry Workshop Fail Up--: A Poetry Workshop Fail Up—: A Poetry Workshop Fail Up— Fail Up— Lyric and the Lives of Others— Fail Up—
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Kim Addonizio
Kim Addonizio is the author of a dozen books of poetry and prose. Her most recent poetry collection is Now We’re Getting Somewhere (W.W. Norton). Her memoir-in-essays, Bukowski in a Sundress, was published by Penguin. She has received NEA and Guggenheim Fellowships, Pushcart Prizes in both poetry and the essay, and her poetry has been widely translated and anthologized. Her work has appeared in the New Yorker, the New York Times, Poetry, The Sun, the Times Literary Supplement (UK), and numerous literary journals. Tell Me was a National Book Award Finalist in poetry. She performs and teaches internationally at colleges, universities, festivals and conferences, and currently lives in Oakland, CA, where she teaches private workshops. The Sonnet: An Introduction WORD SHOP: A POETRY WORKSHOP - LIVE Introduction to the Sonnet - LIVE The Art of the Short Poem The Art of the Short Poem The Art of the Short Poem EXPLORING THE SONNET: Fall Diving into Metaphor Exploring the Sonnet Finding the Form in Free Verse
Aamina Ahmad

Aamina Ahmad grew up in London. After completing an MA in Television Drama she worked as a script editor for the BBC, ITV and independent production companies on a number of prime time network shows. She has been selected for various script development schemes including Arista's Scribes program, the UK Film Council's Blank Slate scheme and The Royal Court Theatre's Critical Mass program. Her full length play, The Dishonored, toured the UK in 2016 and was nominated for an Off West End Award. She also holds an MFA in fiction from the Iowa Writers' Workshop where she was Teaching-Writing Fellow. Her short fiction has appeared in The Normal School, The Missouri Review, Ecotone and the anthology, And the World Changed. She was the 2015 winner of The Missouri Review's Peden Prize and is a current Stegner Fellow at Stanford.

Long form screenwriting; stories that move us. TV Pilot Boot Camp!
Aamina Ahmad

Aamina Ahmad grew up in London. After completing an MA in Television Drama she worked as a script editor for the BBC, ITV and independent production companies on a number of prime time network shows. She has been selected for various script development schemes including Arista's Scribes program, the UK Film Council's Blank Slate scheme and The Royal Court Theatre's Critical Mass program. Her full length play, The Dishonored, toured the UK in 2016 and was nominated for an Off West End Award. She also holds an MFA in fiction from the Iowa Writers' Workshop where she was Teaching-Writing Fellow. Her short fiction has appeared in The Normal School, The Missouri Review, Ecotone and the anthology, And the World Changed. She was the 2015 winner of The Missouri Review's Peden Prize and is a current Stegner Fellow at Stanford.

Long form screenwriting; stories that move us. TV Pilot Boot Camp!
Elisa Albert
Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, and the short story collection How This Night is Different. Her fiction and essays have been published in Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University’s School of the Arts, The College of Saint Rose, Bennington College, Texas State University, and University of Maine. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Practice Makes Perfect: Writing & Rewriting Writing Toward the Ideal Reader The Unlikeable Narrator - LIVE
Elisa Albert
Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, and the short story collection How This Night is Different. Her fiction and essays have been published in Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University’s School of the Arts, The College of Saint Rose, Bennington College, Texas State University, and University of Maine. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Practice Makes Perfect: Writing & Rewriting Writing Toward the Ideal Reader The Unlikeable Narrator - LIVE
Elisa Albert
Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, and the short story collection How This Night is Different. Her fiction and essays have been published in Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University’s School of the Arts, The College of Saint Rose, Bennington College, Texas State University, and University of Maine. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Practice Makes Perfect: Writing & Rewriting Writing Toward the Ideal Reader The Unlikeable Narrator - LIVE
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Elissa Altman
Elissa Altman is the award-winning author of the upcoming hybrid craft memoir, On Permission (Godine, 2024) and three memoirs: Motherland, Treyf, and Poor Man's Feast. Her work has appeared in LitHub, Orion, Narrative, The Rumpus, On Being, The Washington Post, and beyond, and has been widely anthologized. A winner of the James Beard Award for narrative food writing, she has appeared live on the TEDx stage, at the Public Theater in New York with Wallace Shawn, regularly on NPR, and in 2020 was a finalist in memoir for the Lambda, Connecticut, and Maine Literary Awards. She lives in Connecticut. Permission, Intimacy, & Voice Permission, Intimacy, & the Heart of the Story Intimacy, Permission, & the Heart of the Story Permission & the New Memoirist: Story Ownership & Truth-Telling The Heart of Your Story: Creating Intimacy in Memoir Intimacy, Permission, and the Heart of the Story INTIMACY, PERMISSION, AND THE HEART OF THE STORY TELLING YOUR STORY: PERMISSION & THE NEW MEMOIRIST - LIVE Intimacy, Permission, and the Heart of the Story Intimacy, Permission, & the Heart of the Story Intimacy, Permission, and the Heart of the Story: Winter Intimacy, Permission, and the Heart of The Story The Heart of the Story: Creating Intimacy in Memoir
Kirsten Andersen

Kirsten Andersen is the author of Family Court, a chapbook collection of poems forthcoming from Q. Ave. Press. Named the 2014 Anthony Hecht Scholar at the Sewanee Writer's Conference, Kirsten has received fellowships from Stanford University and The Fine Arts Work Center in Provincetown.  She is a National Poetry Series finalist whose work appears most recently in Canteen Magazine, Alaska Quarterly Review, Tin House, and The Believer. She received her MFA from New York University.

Stealing Time: The Tricky Dance of Being a Writing Parent Stealing Time: The Tricky Dance of Being a Writing Parent
Kirsten Andersen

Kirsten Andersen is the author of Family Court, a chapbook collection of poems forthcoming from Q. Ave. Press. Named the 2014 Anthony Hecht Scholar at the Sewanee Writer's Conference, Kirsten has received fellowships from Stanford University and The Fine Arts Work Center in Provincetown.  She is a National Poetry Series finalist whose work appears most recently in Canteen Magazine, Alaska Quarterly Review, Tin House, and The Believer. She received her MFA from New York University.

Stealing Time: The Tricky Dance of Being a Writing Parent Stealing Time: The Tricky Dance of Being a Writing Parent
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Curtis Bauer
Curtis Bauer is the author of three poetry collections, most recently American Selfie (Barrow Street Press, 2019), published in Spanish translation as Selfi Americano by Vaso Roto Ediciones. His forthcoming translations include the novel Your Steps on the Stairs by Antonio Muñoz Molina (Other Press, 2024) and the short story collection The Names of the Things That Were There: Stories by Antonio Skármeta (Other Press, 2023). He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University. Writing the Event: a Generative Poetry Workshop Translation & Theft—Looking Out to Write What Is Within: A Generative Workshop Seeing A Poem in a Map of the World: A Generative Poetry Workshop The Kaleidoscope Essay WRITING THE EVENT: A GENERATIVE POETRY WORKSHOP Writing the Event: A Generative Poetry Workshop
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Sandra Beasley
Sandra Beasley is the author of Don’t Kill the Birthday Girl: Tales from an Allergic Life, a disability memoir. Her nonfiction has appeared in The New York Times, Washington Post, Virginia Quarterly Review, Creative Nonfiction, LitHub, and A Harp in the Stars: An Anthology of Lyric Essays. She is the author of four poetry collections, most recently Made to Explode, which won the Housatonic Book Award, and she edited Vinegar and Char: Verse from the Southern Foodways Alliance. Honors include the Munster Literature Centre’s John Montague Fellowship, an NEA fellowship, and six DC Commission on the Arts and Humanities fellowships.         Mapping Your Memoir from Start to Finish MAPPING YOUR MEMOIR FROM START TO FINISH Taming the Beast: Assembling Your Poetry Collection Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Mapping Your Memoir from Start to Finish Essaying in Unconventional Forms Your Voice: Work It, Raise It, Change It “You Should Write About That"
Erin Belieu
Erin Belieu is the author of numerous poetry collections, all from Copper Canyon Press, including her most recent book COME-HITHER HONEYCOMB (2021). Her poems have appeared in places such as Poetry, the New Yorker, the New York Times, American Poetry Review, Kenyon Review, Narrative, and the Academy of American Poets' Poem-A-Day, as well as multiple appearances in the Best American Poetry anthology series. Among her literary honors, Belieu has received a Rona Jaffe Fellowship, Barnes and Noble's Writers For Writers Award and AWP's George Garrett Prize for outstanding leadership and mentorship within the national writing community. Belieu teaches full-time in the University of Houston MFA/Ph.D. Program in Creative Writing, as well as on the Lesley MFA low residency faculty in Cambridge, MA. Vision & Revision - LIVE Vision & Revision - LIVE VISION & REVISION: A POETRY WORKSHOP - LIVE
Erin Belieu
Erin Belieu is the author of numerous poetry collections, all from Copper Canyon Press, including her most recent book COME-HITHER HONEYCOMB (2021). Her poems have appeared in places such as Poetry, the New Yorker, the New York Times, American Poetry Review, Kenyon Review, Narrative, and the Academy of American Poets' Poem-A-Day, as well as multiple appearances in the Best American Poetry anthology series. Among her literary honors, Belieu has received a Rona Jaffe Fellowship, Barnes and Noble's Writers For Writers Award and AWP's George Garrett Prize for outstanding leadership and mentorship within the national writing community. Belieu teaches full-time in the University of Houston MFA/Ph.D. Program in Creative Writing, as well as on the Lesley MFA low residency faculty in Cambridge, MA. Vision & Revision - LIVE Vision & Revision - LIVE VISION & REVISION: A POETRY WORKSHOP - LIVE
Erin Belieu
Erin Belieu is the author of numerous poetry collections, all from Copper Canyon Press, including her most recent book COME-HITHER HONEYCOMB (2021). Her poems have appeared in places such as Poetry, the New Yorker, the New York Times, American Poetry Review, Kenyon Review, Narrative, and the Academy of American Poets' Poem-A-Day, as well as multiple appearances in the Best American Poetry anthology series. Among her literary honors, Belieu has received a Rona Jaffe Fellowship, Barnes and Noble's Writers For Writers Award and AWP's George Garrett Prize for outstanding leadership and mentorship within the national writing community. Belieu teaches full-time in the University of Houston MFA/Ph.D. Program in Creative Writing, as well as on the Lesley MFA low residency faculty in Cambridge, MA. Vision & Revision - LIVE Vision & Revision - LIVE VISION & REVISION: A POETRY WORKSHOP - LIVE
Lillian-Yvonne Bertram

Lillian-Yvonne Bertram is a 2014 recipient of a National Endowment for the Arts Creative Writing Poetry Fellowship. Her first book, But a Storm is Blowing From Paradise, was selected by Claudia Rankine as the 2010 Benjamin Saltman Award winner and published by Red Hen Press in 2012 and was a 2013 poetry nominee for the Hurston/Wright Foundation Legacy Award for outstanding works of literature published by people of African descent. Her second book, a slice from the cake made of air (Red Hen Press 2016) is available from Red Hen Press and was recently named one of the best poetry books of 2016 by Entropy Magazine. Her third book, personal science, is available from Tupelo Press. Winner of the 2012 Phantom Limb Press chapbook contest, her chapbook cutthroat glamours was published in 2013. She is one-sixth of the poetry collective, Line Assembly. She has been in residence at the Vermont Studio Center, the Montana Artists’ Refuge, has received fellowships from Cave Canem and the Bread Loaf Writers’ and is the recipient of a United States Embassy grant for a writing residency at the Ventspils Writers’ & Translators House in Ventspils, Latvia, in 2014. The 2009-2011 Gaius Charles Bolin Fellow at Williams College, her poetry, prose, photography, and digital stories have received numerous awards and have appeared widely in journals such as Black Warrior Review, Callaloo, Cream City Review, Court Green, DIAGRAM, Gulf Coast, Harvard Review, Indiana Review, jubilat, Mid-American Review, Narrative Magazine, OH NO, Subtropics, Sou’wester, Tupelo Quarterly, Twelfth House, and more. She holds degrees in creative writing from the University of Utah, the University of Illinois at Urbana-Champaign, and Carnegie Mellon University. She was the Viebranz Visiting Professor of Creative Writing at St. Lawrence University for 2015-2016 and is currently an Assistant Professor of Creative Writing at UMASS Boston.
 

Make it Sing, Make it Strange: A Summer Poetry Lab
Reginald Dwayne Betts

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.

  Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry
Tara Betts
Tara Betts is the author of the poetry collections Refuse to Disappear, Break the Habit, and Arc & Hue. In addition to her work as a teaching artist and mentor for young poets, she has taught at Rutgers University, University of Illinois-Chicago, DePaul University, Northwestern University, and at Stateville Prison via Prison + Neighborhood Arts Project. She is the Inaugural Poet for The People Practitioner Fellow at University of Chicago. Tara is also the Poetry Editor at The Langston Hughes Review and founder of the nonprofit organization The Whirlwind Learning Center on Chicago’s South Side. Speculating on Joy & Futures in Poetry
Reginald Dwayne Betts

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.

  Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry
Reginald Dwayne Betts

Reginald Dwayne Betts is the author of a memoir and two books of poetry. His memior, A Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (Avery/Penguin, 2009), was awarded the 2010 NAACP Image Award for non-fiction. His books of poetry are Shahid Reads His Own Palm (Alice James, 2010) and Bastards of the Reagan Era (Four Way Books, 2015). Betts is a 2010 Soros Justice Fellow, 2011 Radcliffe Fellow, and 2012 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. In 2012, Betts was appointed to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention by President Obama. He is a graduate of Prince George’s Community College, the University of Maryland, the MFA Program at Warren Wilson College, and is currently a student at Yale Law School.

  Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry Juxtaposing the Public & Private to Add Depth to Poetry
Sophie Cabot Black

Sophie Cabot Black has three poetry collections from Graywolf Press which include The Misunderstanding of Nature, (Norma Farber First Book Award), and The Descent, (2005 Connecticut Book Award). Her third, The Exchange, received critical acclaim including a starred Publisher’s Weekly, and which All Things Considered reviewed as “the book for you”, and of which Billy Collins in the New York Times has said: ...she's concocted a way of speaking in poetry that's very fresh and daring."

PAYING ATTENTION & REMEMBERING TO OPEN THE TOOLBOX: A POETRY WORKSHOP - LIVE
Francesca Lia Block

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels:  The Weetzie Bat BooksRoses and Bones: Myths, Tales and Secrets,  and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years.  You can visit her on the web at www.francescaliablock.com

12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale
Francesca Lia Block

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels:  The Weetzie Bat BooksRoses and Bones: Myths, Tales and Secrets,  and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years.  You can visit her on the web at www.francescaliablock.com

12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale
Francesca Lia Block

Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and best selling books, including Dangerous Angels:  The Weetzie Bat BooksRoses and Bones: Myths, Tales and Secrets,  and the adult novels The Elementals and Beyond the Pale Motel. Her work is published around the world. Francesca loves teaching as much as writing and has been working with students for many years.  You can visit her on the web at www.francescaliablock.com

12 Questions to Help Structure your Novel in Five Days 12 Questions to Help Structure your Novel in Five Days Not Always Happily : Writing the Contemporary Fairy Tale
Paula Bohince

Paula Bohince is the author of three poetry collections, all from Sarabande.  Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry.  She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient.  She has taught at New York University, the New School, and elsewhere.

Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision
Paula Bohince

Paula Bohince is the author of three poetry collections, all from Sarabande.  Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry.  She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient.  She has taught at New York University, the New School, and elsewhere.

Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision
Paula Bohince

Paula Bohince is the author of three poetry collections, all from Sarabande.  Her poems have appeared in The New Yorker, The New York Review of Books, Poetry, Granta, The TLS, and Best American Poetry.  She has been the Amy Lowell Poetry Travelling Scholar, the Dartmouth Poet in Residence at The Frost Place, a Fellow of the National Endowment for the Arts, the Amy Clampitt House Resident Fellow, a Hawthornden Fellow, and a “Discovery”/The Nation Award recipient.  She has taught at New York University, the New School, and elsewhere.

Ekphrasis: Poems from Visual Art Small but Mighty From One, Many: Radical Revision
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Elizabeth Bradfield
Elizabeth Bradfield designs most of the work published by Broadsided Press. She launched the journal in 2005 and continues to be fascinated by how poetry and art, together, can amplify each other and reach new audiences. Author of five collections of poetry, she has co-edited Broadsided Press: Fifteen Years of Poetic/Artistic Collaboration, 2005-2020 and Cascadia Field Guide: Art, Ecology, Poetry. Her poems have appeared in The New Yorker, Atlantic Monthly, Poetry, The Sun, and her honors include the Audre Lorde Prize and a Stegner Fellowship.  Based on Cape Cod, Bradfield works as a naturalist and teaches at Brandeis University.         REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Spring THE PROJECT BOOK: Winter REWILDING YOUR POEMS: A MONTH OF PRODS, PROMPTS, AND PLAY: Fall Rewilding Your Poems: A Month of Prods, Prompts, and Play Deep Revision Rewilding Your Poems: A Month of Prods, Prompts, and Play The Project Book Socializing the Nature Poem: EcoJustice Poetry in the Anthropocene The Project Book: Spring Animals in the Anthropocene—Toward a Beastly, Eco-Justice Poetic Beastly: Animals as Poetic Source and Subject for Poems
Gayle Brandeis
Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis (Beacon Press), which received starred reviews in Kirkus, Publishers Weekly, ForeWord Reviews, and Booklist, and the novel in poems, Many Restless Concerns (Black Lawrence Press), shortlisted for the Shirley Jackson Award, and longlisted for the Bram Stoker Award, the Ellis Award, and the Johnson Award for Women's Literature. Earlier books include the poetry collection The Selfless Bliss of the Body (Finishing Line Press); the craft book Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne); and, the novels Self Storage (Ballantine), Delta Girls (Ballantine), My Life with the Lincolns (Henry Holt BYR) which was chosen as a state-wide read in Wisconsin, and The Book of Dead Birds (HarperCollins) which won the PEN/Bellwether Prize which was judged by Barbara Kingsolver, Toni Morrison, and Maxine Hong Kingston. Gayle's essays, poetry, and short fiction have been widely published in places such as The Guardian, The New York Times, The Washington Post, O (The Oprah Magazine), The Rumpus, Salon, and more, and have received numerous honors, including the Columbia Journal Nonfiction Award, a Barbara Mandigo Kelly Peace Poetry Award, Notable Essays in Best American Essays 2016, 2019, and 2020, the QPB/Story Magazine Short Story Award and the 2018 Multi Genre Maverick Writer Award. She was named A Writer Who Makes a Difference by The Writer Magazine, and served as Inlandia Literary Laureate from 2012-2014, focusing on bringing writing workshops to underserved communities. She teaches at Antioch University and Sierra Nevada University. Write Your Memoir Like an Animal Write Your Memoir Like an Animal Write Your Memoir Like an Animal
Gayle Brandeis
Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis (Beacon Press), which received starred reviews in Kirkus, Publishers Weekly, ForeWord Reviews, and Booklist, and the novel in poems, Many Restless Concerns (Black Lawrence Press), shortlisted for the Shirley Jackson Award, and longlisted for the Bram Stoker Award, the Ellis Award, and the Johnson Award for Women's Literature. Earlier books include the poetry collection The Selfless Bliss of the Body (Finishing Line Press); the craft book Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne); and, the novels Self Storage (Ballantine), Delta Girls (Ballantine), My Life with the Lincolns (Henry Holt BYR) which was chosen as a state-wide read in Wisconsin, and The Book of Dead Birds (HarperCollins) which won the PEN/Bellwether Prize which was judged by Barbara Kingsolver, Toni Morrison, and Maxine Hong Kingston. Gayle's essays, poetry, and short fiction have been widely published in places such as The Guardian, The New York Times, The Washington Post, O (The Oprah Magazine), The Rumpus, Salon, and more, and have received numerous honors, including the Columbia Journal Nonfiction Award, a Barbara Mandigo Kelly Peace Poetry Award, Notable Essays in Best American Essays 2016, 2019, and 2020, the QPB/Story Magazine Short Story Award and the 2018 Multi Genre Maverick Writer Award. She was named A Writer Who Makes a Difference by The Writer Magazine, and served as Inlandia Literary Laureate from 2012-2014, focusing on bringing writing workshops to underserved communities. She teaches at Antioch University and Sierra Nevada University. Write Your Memoir Like an Animal Write Your Memoir Like an Animal Write Your Memoir Like an Animal
Gayle Brandeis
Gayle Brandeis is the author, most recently, of the memoir The Art of Misdiagnosis (Beacon Press), which received starred reviews in Kirkus, Publishers Weekly, ForeWord Reviews, and Booklist, and the novel in poems, Many Restless Concerns (Black Lawrence Press), shortlisted for the Shirley Jackson Award, and longlisted for the Bram Stoker Award, the Ellis Award, and the Johnson Award for Women's Literature. Earlier books include the poetry collection The Selfless Bliss of the Body (Finishing Line Press); the craft book Fruitflesh: Seeds of Inspiration for Women Who Write (HarperOne); and, the novels Self Storage (Ballantine), Delta Girls (Ballantine), My Life with the Lincolns (Henry Holt BYR) which was chosen as a state-wide read in Wisconsin, and The Book of Dead Birds (HarperCollins) which won the PEN/Bellwether Prize which was judged by Barbara Kingsolver, Toni Morrison, and Maxine Hong Kingston. Gayle's essays, poetry, and short fiction have been widely published in places such as The Guardian, The New York Times, The Washington Post, O (The Oprah Magazine), The Rumpus, Salon, and more, and have received numerous honors, including the Columbia Journal Nonfiction Award, a Barbara Mandigo Kelly Peace Poetry Award, Notable Essays in Best American Essays 2016, 2019, and 2020, the QPB/Story Magazine Short Story Award and the 2018 Multi Genre Maverick Writer Award. She was named A Writer Who Makes a Difference by The Writer Magazine, and served as Inlandia Literary Laureate from 2012-2014, focusing on bringing writing workshops to underserved communities. She teaches at Antioch University and Sierra Nevada University. Write Your Memoir Like an Animal Write Your Memoir Like an Animal Write Your Memoir Like an Animal
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Traci Brimhall
Traci Brimhall is the author of Come the Slumberless to the Land of Nod (Copper Canyon, 2020), Saudade (Copper Canyon, 2017), Our Lady of the Ruins (W.W. Norton, 2012), and Rookery (Southern Illinois University Press, 2010). Her poems have appeared in The New Yorker, Slate, Poetry, The Believer, The New Republic, New York Times Magazine, and Best American Poetry. A 2013 NEA Fellow, she is a Professor of Creative Writing at Kansas State University. BETWEEN WILDERNESS & CLARITY: TURNING YOUR TENSION - LIVE The Body Electric: Pleasure & Pain in Poetry The Body Electric: Pleasure & Pain in Poetry Hybrids and Hermit Crabs: Lyric Forms in Creative Nonfiction Between Clarity and Wilderness: Tuning Your Tension
Jonatha Brooke

Jonatha Brooke is a highly acclaimed singer, songwriter, recording artist, and playwright. In 2014, Ms. Brooke debuted her one-woman theater piece, My Mother Has Four Noses, at the Duke Theater in NYC, a critics’ pick in the NY Times and Time Out Magazine. She has written three other musicals: Hopper and Death and Venice with Anton Dudley; and Quadroon, with Joe Sample. She’s currently working on Switched with Geoffrey Nauffts. Honors include a 2018 McKnight Artist Grant and the 2019 International Acoustic Music Awards for best artist and best song for “Put the Gun Down.” For the past year, Brooke has been teaching on-line Songwriting Master Classes, and streaming weekly concerts from her home in Minneapolis as her creative antidote to the COVID lockdown.

SECRETS, LIES, AND THE ESSENTIAL TRUTHS: FINDING YOUR VOICE AS A PLAYWRIGHT - LIVE
Nickole Brown

Nickole Brown is the author of Sister, first published in 2007 with a new edition reissued by Sibling Rivalry Press in 2018. Her second book, Fanny Says, came out from BOA Editions and won the Weatherford Award for Appalachian Poetry in 2015. The audiobook of that collection became available in 2017. She was the Editor for the Marie Alexander Poetry Series and teaches at the Sewanee School of Letters MFA Program and the Great Smokies Writing Program at UNCA. She lives in Asheville, NC, where she periodically volunteers at several different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving. A chapbook of these poems called To Those Who Were Our First Gods won the 2018 Rattle Chapbook Prize, and another sequence called The Donkey Elegies was published as a chapbook by Sibling Rivalry Press in early 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book she co-authored with her wife Jessica Jacobs, and they regularly teach generative writing sessions together as part of their SunJune Literary Collaborative.

Ostranenie: Poetry as a Practice of Awareness - LIVE Writing in the Age of Loneliness: Eco-Literature & The Writer's Task
Nickole Brown

Nickole Brown is the author of Sister, first published in 2007 with a new edition reissued by Sibling Rivalry Press in 2018. Her second book, Fanny Says, came out from BOA Editions and won the Weatherford Award for Appalachian Poetry in 2015. The audiobook of that collection became available in 2017. She was the Editor for the Marie Alexander Poetry Series and teaches at the Sewanee School of Letters MFA Program and the Great Smokies Writing Program at UNCA. She lives in Asheville, NC, where she periodically volunteers at several different animal sanctuaries. Currently, she’s at work on a bestiary of sorts about these animals, but it won’t consist of the kind of pastorals that always made her (and most of the working-class folks she knows) feel shut out of nature and the writing about it—these poems speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving. A chapbook of these poems called To Those Who Were Our First Gods won the 2018 Rattle Chapbook Prize, and another sequence called The Donkey Elegies was published as a chapbook by Sibling Rivalry Press in early 2020. In 2021, Spruce Books of Penguin Random House published Write It! 100 Poetry Prompts to Inspire, a book she co-authored with her wife Jessica Jacobs, and they regularly teach generative writing sessions together as part of their SunJune Literary Collaborative.

Ostranenie: Poetry as a Practice of Awareness - LIVE Writing in the Age of Loneliness: Eco-Literature & The Writer's Task
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Kimberly Burwick

Kimberly Burwick was born and raised in Massachusetts. Burwick earned her BA in literature from the University of Wisconsin, Madison and her MFA in poetry from Antioch University Los Angeles. She is the author of four collections of poetry: Has No Kinsmen (Red Hen Press, 2006), Horses in the Cathedral, winner of the Robert Dana Prize (Anhinga Press, 2011), Good Night Brother, winner of the Burnside Review Prize, (Burnside Review Press, 2014) and Custody of the Eyes (Carnegie Mellon University Press, 2017).  She is currently Clinical Assistant Professor of Creative Writing at Washington State University.

 

MYTHOLOGICAL GRAVITY IN POETRY The Image, Ravenous: Summer Mythological Gravity in Poetry: Spring Roughness, Ruckus and Rumble: Writing toward Disquietude Mythological Gravity in Poetry The Image, Ravenous The Image, Ravenous Mythological Gravity in Poetry
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Chloe Caldwell
Chloe Caldwell is the author of three books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD, 2014 and Harper Collins UK, 2017) and Legs Get Led Astray (Future Tense Books, 2011). Her memoir, The Red Zone: A Love Story was published in 2022 from Soft Skull. Chloe’s essays have appeared in The New York Times, Bon Appétit, New York Magazine’s The Cut, The Strategist, Buzzfeed, Longreads, Vice, Nylon, Salon.com, Medium, The Rumpus, Catapult, Hobart, The Sun, Men’s Health, The Nervous Breakdown, and half a dozen anthologies including Goodbye To All That: Writers on Loving and Leaving NYC and Without A Net: The Female Experience of Growing Up Working Class. She lives in Hudson, N.Y. with her family. Mastering the Kaleidoscope Essay - LIVE Structuring the Novella with Precision The Kaleidoscope Essay Structuring the Novel with Precision
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Gabrielle Calvocoressi
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a nonfiction book entitled The Year I Didn't Kill Myself, and a novel The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022-2023. WE’VE GOT YOU: A GENERATIVE WEEK OF POETIC POSSIBILITY AND COLLABORATION - LIVE We’ve Got You: A Generative Week Of Poetic Possibility and Collaboration - LIVE OF KNOWING NOTHING AND EVERYTHING: A WEEK OF POEM, PIGMENT, AND PAINT IN THE LAB Fantastic Worlds In the Realest Poems: How Fantasy Fiction Might Help Our Hardest Realities Bloom Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Summer Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Winter Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab: Fall Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab Of Knowing Nothing and Everything: A Week of Poem, Pigment, and Paint in the Lab On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: SPRING On Knowing Nothing and Everything: A Week of Poem, Pigment, & Paint in the LAB: WINTER
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Peter Campion
Peter Campion is the author of Radical as Reality: Form and Freedom in American Poetry; four collections of poems: Other People, The Lions, El Dorado, and One Summer Evening at the Falls; and several monographs and catalog essays on modern and contemporary visual art. His work has appeared in publications including ARTNews, Boston Globe, Harvard Review, Kenyon Review, Modern Painters, New Republic, New York Times Book Review, Poetry, Sculpture, Slate, and Yale Review, among others. A recipient of the Guggenheim Fellowship and the Joseph Brodsky Rome Prize, he teaches in the writing program at the University of Minnesota. Form & Feeling - LIVE Form & Feeling FORM & FEELING GOING TO THE SOURCE: A POETRY WORKSHOP - LIVE Form From Feeling, Feeling From Form Form from Feeling and Feeling from Form Form from Feeling and Feeling from Form: Winter Form from Feeling and Feeling from Form: Fall FORM FROM FEELING AND FEELING FROM FORM: Summer FORM FROM FEELING AND FEELING FROM FORM: Spring FORM FROM FEELING AND FEELING FROM FORM: Winter Next Steps: Fall FORM FROM FEELING AND FEELING FROM FORM: Fall Next Steps: Summer Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Winter Form From Feeling and Feeling From Form: Fall Next Steps: SEPTEMBER Form From Feeling and Feeling From Form: Summer Form From Feeling and Feeling From Form: Spring Form From Feeling and Feeling From Form: Fall Form From Feeling and Feeling From Form: Spring Next Steps Form From Feeling and Feeling From Form: Fall
Anders Carlson-Wee
Anders Carlson-Wee is the author of Disease of Kings (W.W. Norton, 2023), The Low Passions (W.W. Norton, 2019), a New York Public Library Book Group Selection, and Dynamite (Bull City Press, 2015), winner of the Frost Place Chapbook Prize. His work has appeared in The Paris Review, The Washington Post, Harvard Review, BuzzFeed, American Poetry Review, and many other publications. The recipient of a fellowship from the National Endowment for the Arts, he is the winner of the Poetry International Prize. Anders is represented by Massie & McQuilkin Literary Agents and lives in Los Angeles. Where Poetry Begins: The Art of the First Line - LIVE
Julie Carr

Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence (Ahsahta, 2010), RAG (Omnidawn, 2014), and Think Tank (Solid Objects, 2015). She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (Dalkey Archive, 2013), and the co-editor, with Jeffrey Robinson, of Active Romanticism (University of Alabama Press, 2015). A chapbook of prose, “The Silence that Fills the Future,” was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/

Objects from a Borrowed Confession (prose) will be out from Ahsahta press in 2016. Carr’s co-translation of Leslie Kaplan’s Excess-The Factory is due out from Commune Editions in 2018.

Carr was a 2011-12 NEA fellow and is an associate professor at the University of Colorado in Boulder in the English department and the Intermedia Arts Writing and Performance Ph.D. She regularly collaborates with dance artist K.J. Holmes and is the co-founder of Counterpath Press and Counterpath Gallery (www.counterpathpress.org).

The Epistolary Poem The Epistolary Poem
Julie Carr

Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence (Ahsahta, 2010), RAG (Omnidawn, 2014), and Think Tank (Solid Objects, 2015). She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (Dalkey Archive, 2013), and the co-editor, with Jeffrey Robinson, of Active Romanticism (University of Alabama Press, 2015). A chapbook of prose, “The Silence that Fills the Future,” was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/

Objects from a Borrowed Confession (prose) will be out from Ahsahta press in 2016. Carr’s co-translation of Leslie Kaplan’s Excess-The Factory is due out from Commune Editions in 2018.

Carr was a 2011-12 NEA fellow and is an associate professor at the University of Colorado in Boulder in the English department and the Intermedia Arts Writing and Performance Ph.D. She regularly collaborates with dance artist K.J. Holmes and is the co-founder of Counterpath Press and Counterpath Gallery (www.counterpathpress.org).

The Epistolary Poem The Epistolary Poem
Joseph Cassara
 Joseph Cassara is the author of the critically acclaimed novel The House of Impossible Beauties (Ecco), which was selected by Barnes & Noble as a Discover Great New Writers selection for Spring 2018. He holds degrees from Columbia University and the Iowa Writers’ Workshop, and was a writing fellow at the Fine Arts Work Center. He currently lives in Fresno, where he is an Assistant Professor of English at the California State University.
 
The Art of Dialogue Narrative Voice & Setting: Inhabiting The Fictional World
Joseph Cassara
 Joseph Cassara is the author of the critically acclaimed novel The House of Impossible Beauties (Ecco), which was selected by Barnes & Noble as a Discover Great New Writers selection for Spring 2018. He holds degrees from Columbia University and the Iowa Writers’ Workshop, and was a writing fellow at the Fine Arts Work Center. He currently lives in Fresno, where he is an Assistant Professor of English at the California State University.
 
The Art of Dialogue Narrative Voice & Setting: Inhabiting The Fictional World
Marcelo Hernandez Castillo
Marcelo Hernandez Castillo is a poet, essayist, translator, and immigration advocate. He is the author of the collection Cenzontle (2018), which won the 2017 A. Poulin Jr. prize, and the chapbook Dulce (2018). His memoir, Children of the Land (2020), is his most recent publication. His work has appeared or been featured in The New York Times, PBS Newshour, People Magazine en Español, The Paris Review, Fusion TV, Buzzfeed, Gulf Coast: A Journal of Literature and Fine Arts, New England Review, and Indiana Review, among others. Castillo is a founding member of the Undocupoets campaign which successfully eliminated citizenship requirements from all major first poetry book prizes in the country. He currently teaches in the Low-Res MFA program at Ashland University. Saturday Sprints with Marcelo Hernandez Castillo – LIVE
Olivia Kate Cerrone
Olivia Kate Cerrone is the author of The Hunger Saint, a historical novella which won an American Fiction Award and was praised by Kirkus Reviews as “a well-crafted and affecting literary tale.” Her writing has appeared in The Washington Post, The Boston Globe, The Christian Science Monitor, Psychology Today, Publishers Weekly, The Rumpus, The Brooklyn Rail, The Huffington Post, New South, the Berkeley Fiction Review, The MacGuffin, War, Literature and the Arts, Paterson Literary Review and elsewhere. She’s won the Crab Orchard Review's Jack Dyer Fiction Prize, the Mason's Road Literary Award, eight Pushcart Prize nominations, and various other honors, including fellowships from the Hawthornden Castle International Retreat for Writers (Scotland), the Ragdale Foundation, the VCCA, the Vermont Studio Center, and the Hambidge Center for the Creative Arts and Sciences, where she received a “Distinguished Fellowship” from the National Endowment for the Arts. A graduate of the MFA program at New York University, she teaches creative writing at GrubStreet, the Fine Arts Work Center in Provincetown, and in the First-Year Writing Program at Suffolk University in Boston, MA. Excerpts from her novel-in-progress, Displaced, were recently longlisted for both the 2022 DISQUIET Literary Prize and the Masters Review Novel Excerpt Contest. Advanced Techniques in Plot Development for Fiction Writers Designing Compelling Plots in Fiction
Olivia Kate Cerrone
Olivia Kate Cerrone is the author of The Hunger Saint, a historical novella which won an American Fiction Award and was praised by Kirkus Reviews as “a well-crafted and affecting literary tale.” Her writing has appeared in The Washington Post, The Boston Globe, The Christian Science Monitor, Psychology Today, Publishers Weekly, The Rumpus, The Brooklyn Rail, The Huffington Post, New South, the Berkeley Fiction Review, The MacGuffin, War, Literature and the Arts, Paterson Literary Review and elsewhere. She’s won the Crab Orchard Review's Jack Dyer Fiction Prize, the Mason's Road Literary Award, eight Pushcart Prize nominations, and various other honors, including fellowships from the Hawthornden Castle International Retreat for Writers (Scotland), the Ragdale Foundation, the VCCA, the Vermont Studio Center, and the Hambidge Center for the Creative Arts and Sciences, where she received a “Distinguished Fellowship” from the National Endowment for the Arts. A graduate of the MFA program at New York University, she teaches creative writing at GrubStreet, the Fine Arts Work Center in Provincetown, and in the First-Year Writing Program at Suffolk University in Boston, MA. Excerpts from her novel-in-progress, Displaced, were recently longlisted for both the 2022 DISQUIET Literary Prize and the Masters Review Novel Excerpt Contest. Advanced Techniques in Plot Development for Fiction Writers Designing Compelling Plots in Fiction
Abigail Chabitnoy
Abigail Chabitnoy is the author of In the Current Where Drowning Is Beautiful (forthcoming from Wesleyan in 2022); How to Dress a Fish (Wesleyan 2019), shortlisted for the 2020 International Griffin Prize for Poetry and winner of the 2020 Colorado Book Award; and the linocut illustrated chapbook Converging Lines of Light (Flower Press 2021). Her poems have appeared in Hayden’s Ferry Review, Boston Review, Tin House, Gulf Coast, LitHub, and Red Ink, among others. She currently teaches at the Institute of American Indian Arts low-residency MFA program and will be joining the faculty at UMass Amherst as assistant professor in the fall. Abigail is a member of the Tangirnaq Native Village in Kodiak. Notes on the Assembly - LIVE Notes on the Assembly
Abigail Chabitnoy
Abigail Chabitnoy is the author of In the Current Where Drowning Is Beautiful (forthcoming from Wesleyan in 2022); How to Dress a Fish (Wesleyan 2019), shortlisted for the 2020 International Griffin Prize for Poetry and winner of the 2020 Colorado Book Award; and the linocut illustrated chapbook Converging Lines of Light (Flower Press 2021). Her poems have appeared in Hayden’s Ferry Review, Boston Review, Tin House, Gulf Coast, LitHub, and Red Ink, among others. She currently teaches at the Institute of American Indian Arts low-residency MFA program and will be joining the faculty at UMass Amherst as assistant professor in the fall. Abigail is a member of the Tangirnaq Native Village in Kodiak. Notes on the Assembly - LIVE Notes on the Assembly
Tina Chang
Tina Chang, Brooklyn Poet Laureate, is the author of Half-Lit Houses (2004), Of Gods & Strangers (2011), and most recently Hybrida (2019), which was named A Most Anticipated Book of 2019 by NPR, Lit Hub, The Millions, Oprah Magazine, Publisher’s Weekly and was named a New York Times Book Review New & Noteworthy collection. She is also the co-editor of the W.W. Norton anthology Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (2008). Chang is the director of Creative Writing at Binghamton University. HYBRID BEAST - LIVE
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Leila Chatti
Leila Chatti is a Tunisian-American poet and author of Deluge (Copper Canyon Press, 2020), winner of the 2021 Levis Reading Prize, the 2021 Luschei Prize for African Poetry, and longlisted for the 2021 PEN Open Book Award, and four chapbooks. Her honors include multiple Pushcart Prizes, grants from the Barbara Deming Memorial Fund and the Helene Wurlitzer Foundation, and fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Wisconsin Institute for Creative Writing, and Cleveland State University, where she was the inaugural Anisfield-Wolf Fellow in Publishing and Writing. Her poems appear in The New York Times Magazine, The Nation, The Atlantic, POETRY, and elsewhere. She lives in Cincinnati and teaches in Pacific University’s M.F.A. program. Poetry is Fun! How to Banish Writer’s Block, Overcome Fear, & Recover Your Original Spark - LIVE Poetry is Fun! How to Banish Writer's Block, Overcome Fear, & Recover Your Original Spark Praise in Hard Times - LIVE Praise in Hard Times - LIVE Praise in Hard Times: A Poetry Workshop Sweetbitter: Poems of Love, Longing, and the Exquisite Pain Praise: Poems of Celebration, Ecstasy, and Survival
Alexander Chee
Alexander Chee is the bestselling author of the novels Edinburgh and The Queen of the Night, as well as the essay collection How To Write An Autobiographical Novel. A contributing editor at The New Republic, his essays and stories have appeared in The New York Times Magazine, T Magazine, The Sewanee Review, and he is the editor of Best American Essays 2022. He is a 2021 United States Artists Fellow, a 2021 Guggenheim Fellow in Nonfiction, and the recipient of a Whiting Award and a NEA Fellowship. He teaches as an associate professor of English and Creative Writing at Dartmouth College.           On Maurice, E. M. Forster's Posthumous Gay Novel
Michael Collier

Michael Collier has published seven collections of poetry, including, most recently, My Bishop and Other Poems, as well as a translation of Euripides’s Medea and a volume of essays, Make Us Wave Back. The recipient of an Award in Literature from the American Academy of Arts and Letters and fellowships from the NEA and Guggenheim Foundation, he is a professor emeritus at the University of Maryland and is a former director of the Bread Loaf Writers’ Conferences.

TRANSLATION & REVISION: A GENERATIVE POETRY WORKSHOP - LIVE
Martha Collins
Martha Collins’s eleventh volume of poetry, Casualty Reports, was published by Pittsburgh in fall 2022; her fifth collection of co-translated Vietnamese poetry, Dreaming the Mountain: Poems by Tue Sy, was published by Milkweed in spring 2023. Her tenth book of her poetry, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America’s William Carlos Williams Award; her earlier books, which have won a number of awards, include three focusing on race and racism (Admit One: An American Scrapbook, White Papers, and Blue Front). Collins founded the UMASS Boston creative writing program and later served as Pauline Delaney Professor of Creative Writing at Oberlin College. She lives in Cambridge, Massachusetts. Making Stanzas Work for You! - LIVE Growing the Poem - LIVE Saturday Sprints with Martha Collins - LIVE
Martha Collins
Martha Collins’s eleventh volume of poetry, Casualty Reports, was published by Pittsburgh in fall 2022; her fifth collection of co-translated Vietnamese poetry, Dreaming the Mountain: Poems by Tue Sy, was published by Milkweed in spring 2023. Her tenth book of her poetry, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America’s William Carlos Williams Award; her earlier books, which have won a number of awards, include three focusing on race and racism (Admit One: An American Scrapbook, White Papers, and Blue Front). Collins founded the UMASS Boston creative writing program and later served as Pauline Delaney Professor of Creative Writing at Oberlin College. She lives in Cambridge, Massachusetts. Making Stanzas Work for You! - LIVE Growing the Poem - LIVE Saturday Sprints with Martha Collins - LIVE
Martha Collins
Martha Collins’s eleventh volume of poetry, Casualty Reports, was published by Pittsburgh in fall 2022; her fifth collection of co-translated Vietnamese poetry, Dreaming the Mountain: Poems by Tue Sy, was published by Milkweed in spring 2023. Her tenth book of her poetry, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America’s William Carlos Williams Award; her earlier books, which have won a number of awards, include three focusing on race and racism (Admit One: An American Scrapbook, White Papers, and Blue Front). Collins founded the UMASS Boston creative writing program and later served as Pauline Delaney Professor of Creative Writing at Oberlin College. She lives in Cambridge, Massachusetts. Making Stanzas Work for You! - LIVE Growing the Poem - LIVE Saturday Sprints with Martha Collins - LIVE
Garrard Conley
Garrard Conley is the New York Times bestselling author of the memoir Boy Erased (Riverhead/Penguin 2016) and the novel All the World Beside (Riverhead/Penguin 2024). He is the creator and co-producer of the podcast UnErased: The History of Conversion Therapy in America (Stitcher/Limina 2018). His work has been published by The New York Times, Oxford American, TIME and Virginia Quarterly Review, among others. Conley is a graduate of Brooklyn College’s MFA program, where he was a Truman Capote Fellow specializing in fiction. He is an Assistant Professor of Creative Writing at Kennesaw State University. Illuminating the Past in Memoir Structuring Memoir
Garrard Conley
Garrard Conley is the New York Times bestselling author of the memoir Boy Erased (Riverhead/Penguin 2016) and the novel All the World Beside (Riverhead/Penguin 2024). He is the creator and co-producer of the podcast UnErased: The History of Conversion Therapy in America (Stitcher/Limina 2018). His work has been published by The New York Times, Oxford American, TIME and Virginia Quarterly Review, among others. Conley is a graduate of Brooklyn College’s MFA program, where he was a Truman Capote Fellow specializing in fiction. He is an Assistant Professor of Creative Writing at Kennesaw State University. Illuminating the Past in Memoir Structuring Memoir
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
CA Conrad

CAConrad is the author of 9 books of poetry and essays, the latest is titled While Standing in Line for Death (Wave Books, 2017).  A recipient of a Pew Fellowship in the Arts for Literature, they also received The Believer Magazine Book Award and The Gil Ott Book Award.  CA is currently working on a (Soma)tic poetry ritual titled, "Resurrect Extinct Vibration," which investigates effects the vibrational absence of recently extinct species has on the body of the poet and the poems.  They teach regularly at the Sandberg Art Institute in Amsterdam and their books, essays, films, interviews, rituals and other publications can be found online at http://bit.ly/88CAConrad

They have taught poetry and (Soma)tic poetry rituals to poets, dancers, and visual artists.  They have taught the last two spring semesters at Columbia University in New York City.  They teach regularly at Naropa University, Evergreen State College, Pratt Institute, Sarah Lawrence, Sandberg Art Institute in Amsterdam, and the OSU creative writing program in Oregon.  They have also been a visiting writer at Brown, Bard, Bennington, CalArts, Pomona, University of Chicago, Iowa Writers Workshop, University of Wyoming, and others.  They have given lectures on Ecopoetics and Occult Poetics at KW Museum in Berlin, Contemporary Art Center in Vilnius, Zurich University of the Arts, Kunstverein in Dusseldorf, 21er Haus in Vienna, Bergen Academy of Art, University of Glasgow, and others.

 

Occult Poetics & (Soma)tic Poetry Rituals PART 2 Occult Poetics & (Soma)tic Poetry Rituals PART 1 JUNO: An Online (Soma)tic Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis SPRING Queer Bodies Poetry Workshop THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 2 THE STRENGTH OF POETRY: (Soma)tic Poetry Rituals & The Antidote To Spiritual Crisis FALL Session 1 Every Pebble Shapes the Mountain: (Soma)tic Poetry Rituals
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Tin House, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and with the Los Angeles County Museum of Art. Since 2017, he has been developing poetry workshops for writers living with Aphasia and Traumatic Brain Injuries (TBI).     "All this useless beauty..." - a Poetry Workshop A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Tin House, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and with the Los Angeles County Museum of Art. Since 2017, he has been developing poetry workshops for writers living with Aphasia and Traumatic Brain Injuries (TBI).     "All this useless beauty..." - a Poetry Workshop A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Tin House, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and with the Los Angeles County Museum of Art. Since 2017, he has been developing poetry workshops for writers living with Aphasia and Traumatic Brain Injuries (TBI).     "All this useless beauty..." - a Poetry Workshop A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Brendan Constantine
Brendan Constantine is a poet based in Los Angeles. He is the author of five full-length collections, including Dementia, My Darling (2016 Red Hen) and Letters to Guns (2009 Red Hen). His work has appeared in Poetry, The Nation, Best American Poetry, Tin House, Poem-A-Day, and in numerous other journals and anthologies. A popular performer, Brendan Constantine has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED-ED, numerous podcasts, and YouTube. He currently teaches creative writing at the Windward School and with the Los Angeles County Museum of Art. Since 2017, he has been developing poetry workshops for writers living with Aphasia and Traumatic Brain Injuries (TBI).     "All this useless beauty..." - a Poetry Workshop A Tendency to Exist: A Generative Workshop on Time - LIVE The Art of Getting It Wrong – LIVE The Art of Getting It Wrong - LIVE
Mark Conway
Mark Conway’s most recent book of poetry, rivers of the driftless region, was published by Four Way Books in 2019. His work has appeared in The Paris Review, Slate, Boston Review, American Poetry Review, Kenyon Review Online, Ploughshares, the PBS NewsHour and Bomb. He teaches at The Loft in Minneapolis and lives in rural Minnesota. WHAT YOU’RE WILLING TO DISCOVER - LIVE
Kristina Marie Darling
Kristina Marie Darling is the author of over thirty books. An expert consultant with the United States Fulbright Commission, a twice-awarded Fulbright Scholar, and a member of the peer review panel for Fulbright grants, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry, a 2024 Villa Lena Foundation Fellowship, a 2024 Civita Institute Fellowship, and ten juried residencies at the American Academy in Rome. Currently a faculty member at The Los Angeles Review of Books Publishing Workshop, she has taught at Yale University, the American University in Rome, Stanford University, where she leads a workshop in professional empowerment through their Continuing Studies Division, the New School, San Diego State University, where she has served as Editor-in-Residence in partnership with Poetry International on three occasions, and in Cedar Crest College’s Pan-European M.F.A. Program. A prolific public speaker with the Ovation Agency, Dr. Darling has also lectured at the historic Betsy Hotel in South Beach, Miami, the United States Embassy in Togo, The Los Angeles Times Festival of Books, and Webster University’s Geneva, Switzerland campus, where she leads a biannual writing workshop for diplomats. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between Greece, Rome, and the Amalfi Coast. Book Publicity for Every Writer Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of over thirty books. An expert consultant with the United States Fulbright Commission, a twice-awarded Fulbright Scholar, and a member of the peer review panel for Fulbright grants, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry, a 2024 Villa Lena Foundation Fellowship, a 2024 Civita Institute Fellowship, and ten juried residencies at the American Academy in Rome. Currently a faculty member at The Los Angeles Review of Books Publishing Workshop, she has taught at Yale University, the American University in Rome, Stanford University, where she leads a workshop in professional empowerment through their Continuing Studies Division, the New School, San Diego State University, where she has served as Editor-in-Residence in partnership with Poetry International on three occasions, and in Cedar Crest College’s Pan-European M.F.A. Program. A prolific public speaker with the Ovation Agency, Dr. Darling has also lectured at the historic Betsy Hotel in South Beach, Miami, the United States Embassy in Togo, The Los Angeles Times Festival of Books, and Webster University’s Geneva, Switzerland campus, where she leads a biannual writing workshop for diplomats. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between Greece, Rome, and the Amalfi Coast. Book Publicity for Every Writer Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of over thirty books. An expert consultant with the United States Fulbright Commission, a twice-awarded Fulbright Scholar, and a member of the peer review panel for Fulbright grants, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry, a 2024 Villa Lena Foundation Fellowship, a 2024 Civita Institute Fellowship, and ten juried residencies at the American Academy in Rome. Currently a faculty member at The Los Angeles Review of Books Publishing Workshop, she has taught at Yale University, the American University in Rome, Stanford University, where she leads a workshop in professional empowerment through their Continuing Studies Division, the New School, San Diego State University, where she has served as Editor-in-Residence in partnership with Poetry International on three occasions, and in Cedar Crest College’s Pan-European M.F.A. Program. A prolific public speaker with the Ovation Agency, Dr. Darling has also lectured at the historic Betsy Hotel in South Beach, Miami, the United States Embassy in Togo, The Los Angeles Times Festival of Books, and Webster University’s Geneva, Switzerland campus, where she leads a biannual writing workshop for diplomats. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between Greece, Rome, and the Amalfi Coast. Book Publicity for Every Writer Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of over thirty books. An expert consultant with the United States Fulbright Commission, a twice-awarded Fulbright Scholar, and a member of the peer review panel for Fulbright grants, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry, a 2024 Villa Lena Foundation Fellowship, a 2024 Civita Institute Fellowship, and ten juried residencies at the American Academy in Rome. Currently a faculty member at The Los Angeles Review of Books Publishing Workshop, she has taught at Yale University, the American University in Rome, Stanford University, where she leads a workshop in professional empowerment through their Continuing Studies Division, the New School, San Diego State University, where she has served as Editor-in-Residence in partnership with Poetry International on three occasions, and in Cedar Crest College’s Pan-European M.F.A. Program. A prolific public speaker with the Ovation Agency, Dr. Darling has also lectured at the historic Betsy Hotel in South Beach, Miami, the United States Embassy in Togo, The Los Angeles Times Festival of Books, and Webster University’s Geneva, Switzerland campus, where she leads a biannual writing workshop for diplomats. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between Greece, Rome, and the Amalfi Coast. Book Publicity for Every Writer Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of over thirty books. An expert consultant with the United States Fulbright Commission, a twice-awarded Fulbright Scholar, and a member of the peer review panel for Fulbright grants, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry, a 2024 Villa Lena Foundation Fellowship, a 2024 Civita Institute Fellowship, and ten juried residencies at the American Academy in Rome. Currently a faculty member at The Los Angeles Review of Books Publishing Workshop, she has taught at Yale University, the American University in Rome, Stanford University, where she leads a workshop in professional empowerment through their Continuing Studies Division, the New School, San Diego State University, where she has served as Editor-in-Residence in partnership with Poetry International on three occasions, and in Cedar Crest College’s Pan-European M.F.A. Program. A prolific public speaker with the Ovation Agency, Dr. Darling has also lectured at the historic Betsy Hotel in South Beach, Miami, the United States Embassy in Togo, The Los Angeles Times Festival of Books, and Webster University’s Geneva, Switzerland campus, where she leads a biannual writing workshop for diplomats. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between Greece, Rome, and the Amalfi Coast. Book Publicity for Every Writer Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Kristina Marie Darling
Kristina Marie Darling is the author of over thirty books. An expert consultant with the United States Fulbright Commission, a twice-awarded Fulbright Scholar, and a member of the peer review panel for Fulbright grants, Dr. Darling’s work has also been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry, a 2024 Villa Lena Foundation Fellowship, a 2024 Civita Institute Fellowship, and ten juried residencies at the American Academy in Rome. Currently a faculty member at The Los Angeles Review of Books Publishing Workshop, she has taught at Yale University, the American University in Rome, Stanford University, where she leads a workshop in professional empowerment through their Continuing Studies Division, the New School, San Diego State University, where she has served as Editor-in-Residence in partnership with Poetry International on three occasions, and in Cedar Crest College’s Pan-European M.F.A. Program. A prolific public speaker with the Ovation Agency, Dr. Darling has also lectured at the historic Betsy Hotel in South Beach, Miami, the United States Embassy in Togo, The Los Angeles Times Festival of Books, and Webster University’s Geneva, Switzerland campus, where she leads a biannual writing workshop for diplomats. Dr. Darling serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly. Born and raised in the American Midwest, she now divides her time between Greece, Rome, and the Amalfi Coast. Book Publicity for Every Writer Collaboration, Social Justice, & Professional Empowerment: a Workshop for Writers & Artists Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: A Workshop for Full-Length Poetry Manuscripts Professional Empowerment Across Genres & Disciplines: How to Successfully Pitch, Promote, & Fund Your Creative Projects Perfecting the Book: a Workshop for Full-Length Poetry Manuscripts
Christina Davis

CHRISTINA DAVIS is the author of An Ethic (Nightboat Books, 2013), Forth A Raven (Alice James Books, 2006) and the manuscript-in-progress Mankindness. Her poems and essays have appeared in American Poetry Review, Boston Review, Colorado Review, Paris Review, Poetry Magazine, and other journals. A graduate of Oxford University, she currently serves as curator of the Woodberry Poetry Room at Harvard University.

 

Ourselves, I Sing: Experiments in Selfhood & Humanhood
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Meg Day

Meg Day is the 2015-2016 recipient of the Amy Lowell Poetry Travelling Scholarship, a 2013 recipient of an NEA Fellowship in Poetry, and the author of Last Psalm at Sea Level (Barrow Street 2014), winner of the Barrow Street Poetry Prize and the Publishing Triangle’s Audre Lorde Award. Day is Assistant Professor of English & Creative Writing at Franklin & Marshall College and lives in Lancaster, PA

5 Days, 6 Poems, 7 Ways Back Home: Summer 5 Days, 6 Poems, 7 Ways Back Home: Spring What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death The Elegy & the Emo Poem: A Battle to the Death: Summer What's Love Got to Do With It: Poems for Valentine's Day 5 Days, 6 Poems, 7 Ways Back Home The Elegy & the Emo Poem: A Battle to the Death: Fall The Elegy & the Emo Poem: A Battle to the Death
Duy Doan

Duy Doan is the author of We Play a Game, winner of the 2017 Yale Series of Younger Poets Prize. His work has appeared in The Adroit Journal, Poetry, Slate, TriQuarterly, and elsewhere. He received an MFA in poetry from Boston University.  

Spontaneity, or Disruption and the Illusion of Spontaneity
Andre Dubus III

Andre Dubus III ‘s books include his most recent novel, Gone So Long, the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. Mr. Dubus has been a finalist for the National Book Award. His honors include a Guggenheim Fellowship, two Pushcart Prizes, and an American Academy of Arts and Letters Award. His books are published in over twenty-five languages, and he teaches full-time at the University of Massachusetts Lowell.

Do Not Think, Dream: Fiction & Creative Nonfiction Workshop - Live
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Lisa Duffy

Lisa Duffy is the author of The Salt House, her debut novel forthcoming from Simon & Schuster/Touchstone Books in June 2017. She received her MFA in creative writing from the University of Massachusetts Boston. Her short fiction was nominated for a Pushcart Prize and her work can be found or is forthcoming in Writer’s Digest, The Drum Literary Magazine, So to Speak, Breakwater Review, Let the Bucket Down, and elsewhere. Lisa is the founding editor of ROAR, a literary magazine supporting women in the arts. She lives in the Boston area with her husband and three children. 

 

Elements of Craft: A Fiction Workshop: SPRING Elements of Craft: A Fiction Workshop: WINTER Elements of Craft: A Fiction Workshop: SEPTEMBER Elements of Craft: A Fiction Workshop Elements of Craft: A Fiction Workshop
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Joanne Dugan
Joanne Dugan is an interdisciplinary artist, photographer, and author who explores the intersections between photography, writing, and mindfulness. Her work has been exhibited in the US, UK, Europe, and Asia and been published in the New York Times T Magazine, the Harvard Review, Unseen and Photograph magazines, among others. Dugan’s work has been published in seven books combining image and text and is in the library collections of the J. Getty Museum, the LA County Museum of Art, the George Eastman House and the International Center of Photography. She is represented by Kopeikin Gallery in Los Angeles and Black Box Projects in London, UK. Writing Pictures: Combining Text & Image - LIVE Writing Pictures: An Exploration of Text and Image The Image & the Word: a Collaborative Workshop for Writers & Photographers Writing Pictures: A Collaborative Workshop Writing Pictures: A Collaborative Workshop - LIVE Writing Pictures: an Exploration of Text & Image Writing Pictures: Embracing Uncertainty through Text & Photography Writing Pictures: An Exploration of Text and Image: Winter Writing Pictures: An Exploration of Text and Image
Nicole Terez Dutton

Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal.  Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.

Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nicole Terez Dutton

Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal.  Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.

Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nicole Terez Dutton

Nicole Terez Dutton's work has appeared in Callaloo, Ploughshares, 32 Poems, Indiana Review, and Salt Hill Journal.  Nicole earned an MFA from Brown University and has received fellowships from the Frost Place, the Fine Arts Work Center, Bread Loaf Writers’ Conference, and the Virginia Center for the Creative Arts. Her collection of poems, If One Of Us Should Fall, was selected as the winner of the 2011 Cave Canem Poetry Prize. She teaches in the Solstice Low-Residency MFA Program and lives in Somerville, Massachusetts where she serves as the city’s inaugural poet laureate.

Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript Threading and Building: Working Toward a Manuscript
Nick Flynn, Victoria Redel, Eileen Myles, Alexander Chee
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages.     Victoria Redel is the author of five books of fiction and four poetry collections, most recently Paradise (2022). Her work has been widely anthologized, translated, and her novel, Loverboy, was adapted for a feature film. She has been the recipient of numerous awards including fellowships from the Guggenheim foundation and the NEA. She teaches at Sarah Lawrence College.       Eileen Myles (they/them) came to New York from Boston in 1974 to be a poet, subsequently novelist and art journalist. Their many books include Pathetic Literature (2022) which they edited, and a "Working Life" (poetry, 2023). Myles’s awards include a Guggenheim, a poetry award from the Foundation for Contemporary Arts, and in 2022 they were inducted into the American Academy of Arts & Letters. Their books have been translated into many languages and Chelsea Girls won France's Les Inrockuptibles prize for best foreign novel. They live in New York and Marfa, TX.   Alexander Chee is the bestselling author of the novels Edinburgh and The Queen of the Night, as well as the essay collection How To Write An Autobiographical Novel. A contributing editor at The New Republic, his essays and stories have appeared in The New York Times Magazine, T Magazine, The Sewanee Review, and he is the editor of Best American Essays 2022. He is a 2021 United States Artists Fellow, a 2021 Guggenheim Fellow in Nonfiction, and the recipient of a Whiting Award and a NEA Fellowship. He teaches as an associate professor of English and Creative Writing at Dartmouth College.   Books That Matter: The Entire Series
Melissa Febos
  Melissa Febos is the bestselling author of four books, including Girlhood, which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, Lambda Literary, the National Endowment for the Arts, the British Library, the Black Mountain Institute, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The New Yorker, The New York Times Magazine, The Best American Essays, and Vogue. Febos is a full professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. Sprint Workshop with Melissa Febos - LIVE Sprint Workshop with Melissa Febos - LIVE
Melissa Febos
  Melissa Febos is the bestselling author of four books, including Girlhood, which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, Lambda Literary, the National Endowment for the Arts, the British Library, the Black Mountain Institute, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The New Yorker, The New York Times Magazine, The Best American Essays, and Vogue. Febos is a full professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. Sprint Workshop with Melissa Febos - LIVE Sprint Workshop with Melissa Febos - LIVE
Annie Finch

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012).  Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing.  Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art.  Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award.  More information on Annie’s work is available at anniefinch.com.

Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing
Annie Finch

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012).  Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing.  Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art.  Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award.  More information on Annie’s work is available at anniefinch.com.

Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing
Annie Finch

Annie Finch is the author of six books of poetry, most recently Spells: New and Selected Poems (Wesleyan University Press, 2013). Her poems have appeared in journals including Yale Review, Kenyon Review, Harvard Review, Partisan Review, Prairie Schooner, Poetry, and Paris Review, and in anthologies such as The Norton Anthology of World Poetry, The Penguin Book of the Sonnet, and The Penguin Book of Twentieth-Century American Poetry. She has also published twelve books, textbooks, and edited or coedited anthologies focusing on poetic form and craft, including An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art and The Body of Poetry: Essays on Women, Form, and the Poetic Self (both from University of Michigan Press), Measure for Measure: An Anthology of Poetic Meters and Villanelles (both from Random House/Everyman’s Library), and A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry (University of Michigan Press, 2012).  Educated at Yale University (B.A.) and Stanford University (Ph.D.), Annie has taught widely and served for a decade as Director of the Stonecoast MFA Program in Creative Writing.  Annie’s multimedia poetic collaborations and commissioned poems been produced at Carnegie Hall and the Metropolitan Museum of Art.  Her work has been honored with the Sarasvati Award and the Robert Fitzgerald Award.  More information on Annie’s work is available at anniefinch.com.

Working the Beat More; How to Make Poems Sing in Depth Working the Beat: How to Make Poems Sing Working the Beat: How to Make Poems Sing
Amber Flora Thomas

Amber Flora Thomas is the author of Eye of Water: Poems which was selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize. Her other books include, The Rabbits Could Sing: Poems (University of Alaska Press, 2012) and Red Channel in the Rupture: Poems (Red Hen Press, 2018). Her poetry has appeared in The New England Review, Tin House, Ecotone, Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Third Coast, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, and numerous other journals and anthologies. Thomas has taught at the Cave Canem annual retreat and the Bread Loaf Environmental Writers Conference. She has received fellowships from Yaddo, Atlantic Center for the Arts, Bread Loaf Writers Conference, and Sewanee Writers Conference. She earned an MFA at Washington University in St. Louis, MO. She was born and raised in northern California. Currently she is an Associate Professor of Creative Writing at East Carolina University in Greenville, North Carolina. 

The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home
Amber Flora Thomas

Amber Flora Thomas is the author of Eye of Water: Poems which was selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize. Her other books include, The Rabbits Could Sing: Poems (University of Alaska Press, 2012) and Red Channel in the Rupture: Poems (Red Hen Press, 2018). Her poetry has appeared in The New England Review, Tin House, Ecotone, Callaloo, Orion Magazine, Alaska Quarterly Review, Saranac Review, and Third Coast, as well as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, and numerous other journals and anthologies. Thomas has taught at the Cave Canem annual retreat and the Bread Loaf Environmental Writers Conference. She has received fellowships from Yaddo, Atlantic Center for the Arts, Bread Loaf Writers Conference, and Sewanee Writers Conference. She earned an MFA at Washington University in St. Louis, MO. She was born and raised in northern California. Currently she is an Associate Professor of Creative Writing at East Carolina University in Greenville, North Carolina. 

The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home The Poetry of Place: Erasures, Journeys, and Transformations on the Way to Home
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Nick Flynn
Nick Flynn’s most recent book is Low (Graywolf, 2023). Other recent books include: This Is the Night Our House Will Catch Fire (Norton, 2020); and Stay: Threads, Collaborations, and Conversations (Ze Books, 2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His bestselling memoir Another Bullshit Night in Suck City (Norton, 2004), was made into a film starring Robert DeNiro (Focus Features, 2012), and has been translated into fifteen languages. The Woman in the Dunes—A Metaphor that Transforms as it Moves through Time Sprint Workshop with Nick Flynn - LIVE Memoir as Bewilderment - LIVE Memoir as Bewilderment (24PearlStreet LIVE)
Tessa Fontaine

Tessa Fontaine is the author of The Electric Woman: A Memoir in Death-Defying Acts, a New York Times Editor's choice, a Barnes & Noble Discover Great New Writers pick, an Amazon Editors' Top 100 of 2018 and Best Memoir/Biography of 2018, and more. Tessa’s writing won an AWP Intro Award, and has appeared in Glamour, The Believer, LitHub, Creative Nonfiction, and elsewhere. She has taught at various universities, for the New York Times summer journeys, and in prisons.

Writing Your Way to the Spark: A Generative Memoir Workshop
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Carolyn Forché

Carolyn Forché is a poet, translator and editor of the ground-breaking anthology Against Forgetting: Twentieth-Century Poetry of Witness, collecting the work of poets who endured conditions of extremity during the past century.  She has published four award-winning books of poetry and three books of poetry in translation. Her work has been translated into over twenty languages and she has given poetry readings throughout the United States and the world.  A human rights activist for over thirty years, she was presented in 1998 with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm for her work on behalf of human rights and the preservation of memory and culture.  She has received fellowships from The John Simon Guggenheim Foundation, The Lannan Foundation and The National Endowment for the Arts.  She has taught poetry and literature for thirty-five years, and holds The Lannan Chair of Poetry at Georgetown University, where she also directs The Lannan Center for Poetics and Social Practice.

Writing New Poems: Winter Writing New Poems: Spring Writing New Poems: Winter Writing New Poems: Fall Writing New Poems: Fall
Jennifer Franklin
Jennifer Franklin holds degrees from Brown University and Columbia University School of the Arts. She is the author of three full-length poetry collections including If Some God Shakes Your House (Four Way Books, 2023). Franklin received a 2021 NYFA/City Artist Corps grant and a 2021 Café Royal Cultural Foundation Literature Award. Her work has been published widely including in American Poetry Review, Bennington Review, The Nation, The Paris Review, and in the Poetry Society’s “Poetry in Motion” series. Most recently, Diane Seuss chose one of Franklin’s poems for The Academy of American Poets “Poem-a-Day” series. She teaches workshops in Manhattanville’s MFA program and manuscript revision at the Hudson Valley Writers Center, where she serves as Program Director. "Dare you see a Soul at the White Heat?" Writing Intensity in the Short Poem
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Daisy Fried
Daisy Fried’s book of “versions and aversions” of the 19th C. French poet, Charles Baudelaire, will be published by Flood Editions in 2022. She is also the author of three other books of poems: My Brother is Getting Arrested Again, Women’s Poetry: Poems and Advice, and She Didn’t Mean to Do It. A past Guggenheim, Hodder and Pew Fellow in poetry, she is a member of the faculty of the Warren Wilson MFA Program for writers, and at the University of the Arts in Philadelphia, where she lives.   WRITING POEMS THAT DON'T FIT You Can Translate Too! No Experience Required! Poetry Revision Boot Camp “SOME PEOPLE HAVE BEEN UNKIND”: A WORKSHOP ON LITERARY BOOK REVIEWING Writing the Political Poem Poetry Revision Boot Camp: Summer “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems that Don't Fit: Winter Writing Poems that Don't Fit 4 Poets: Adaptation and Rejection as Technique “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Poetry Revision Boot Camp “Some People Have Been Unkind”: A Workshop on Literary Book Reviewing Writing Poems That Don't Fit: Spring Writing Poems That Don't Fit: Fall
Aja Gabel

Aja Gabel’s debut novel, The Ensemble, is out now from Riverhead Books. Her short fiction can be found in the Kenyon Review, Glimmer Train, BOMB, and elsewhere. She studied writing at Wesleyan University and the University of Virginia, and has a PhD in Literature and Creative Writing from the University of Houston. She currently lives and writes in Los Angeles.

 

Writing Love Stories
Indira Ganesan

Indira Ganesan has written three novels, The Journey (1990), Inheritance (1998), and As Sweet as Honey (2013).  She is a former fellow of the Radcliffe Bunting Institute, The MacDowell Colony, and the Fine Arts Work Center. In Provincetown, she hosts a global music show on Sunday mornings at WOMR-FM, reviews books for Phi Beta Kappa’s thekeyreporter.org, and is working on a new book.  She has taught at the University of Missouri, UC San Diego, UC Santa Cruz, Southampton College, Naropa University, CU Boulder, and Emerson College.

Narrative Magic: A Fiction Workshop
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Chloe Garcia Roberts
Chloe Garcia Roberts is a writer and a translator from the Spanish and Chinese. She is the author of a book of poetry, The Reveal, and her essays have appeared in the Yale Review and Kenyon Review among others, been noted in Best American Essays 2022, and featured in the anthology, The Lyric Essay as Resistance. Her translations include Li Shangyin’s Derangements of My Contemporaries: Miscellaneous Notes, and a collected poems of Li Shangyin, and she is the recipient of a NEA fellowship for translation. Her first book of essays is forthcoming in 2024 from co•im•press. She lives in Boston and works as the deputy editor of Harvard Review.           Writing the Liminal: Lyric Essays, Prose Poems & Hybrid Texts Writing the Liminal: Lyric Essays, Prose Poems, & Hybrid Texts Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders & Subverting Genre: the Lyric Essay Crossing Borders and Subverting Genre: The Lyric Essay: SPRING Crossing Borders and Subverting Genre: The Lyric Essay: FALL Crossing Borders and Subverting Genre: The Lyric Essay
Nicole J. Georges
Nicole J. Georges is a writer, illustrator, podcaster, and professor from Portland and LA. She is the author of the award-winning graphic memoirs Calling Dr. Laura and Fetch: How a Bad Dog Brought Me Home. Her work explores themes including identity, family secrets, queer community, animals, self-help, and the inner workings of a queer, punk feminist from a Syrian-American home. Georges teaches at California College for the Art’s MFA in Comics Program. She is the host of the queer art, advice, and vegan food podcast, Sagittarian Matters, and the Murrow award-winning podcast, Relative Fiction. Drawing a Line: Graphic Memoir - LIVE
January Gill O'Neil
January Gill O'Neil is an associate professor at Salem State University, and the author of Glitter Road (forthcoming, 2024) Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she was the executive director of the Massachusetts Poetry Festival. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She currently serves as the 2022-2023 board chair of the Association of Writers and Writers Programs (AWP).         Tiny Miracles & Everyday Wonders: a Poetry Workshop - LIVE What Are You Risking? – A Generative Workshop - LIVE TINY MIRACLES AND EVERYDAY WONDERS: A POETRY WORKSHOP - LIVE
January Gill O'Neil
January Gill O'Neil is an associate professor at Salem State University, and the author of Glitter Road (forthcoming, 2024) Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she was the executive director of the Massachusetts Poetry Festival. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She currently serves as the 2022-2023 board chair of the Association of Writers and Writers Programs (AWP).         Tiny Miracles & Everyday Wonders: a Poetry Workshop - LIVE What Are You Risking? – A Generative Workshop - LIVE TINY MIRACLES AND EVERYDAY WONDERS: A POETRY WORKSHOP - LIVE
January Gill O'Neil
January Gill O'Neil is an associate professor at Salem State University, and the author of Glitter Road (forthcoming, 2024) Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she was the executive director of the Massachusetts Poetry Festival. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi. She currently serves as the 2022-2023 board chair of the Association of Writers and Writers Programs (AWP).         Tiny Miracles & Everyday Wonders: a Poetry Workshop - LIVE What Are You Risking? – A Generative Workshop - LIVE TINY MIRACLES AND EVERYDAY WONDERS: A POETRY WORKSHOP - LIVE
Ethan Gilsdorf

Journalist, memoirist, essayist, critic, poet, and teacher Ethan Gilsdorf is the author of the award-winning travel memoir investigation Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms. His work has been cited in the anthology Best American Essays 2016. His personal essays, fiction, poetry, reviews and other nonfiction have appeared in The New York Times, Salon, Boston Globe Magazine, Boston Magazine, Boston Globe, WBUR, Psychology Today, Poetry, The Southern Review,The Quarterly, Exquisite Corpse, The North American Review, and in several anthologies. He received his BA from Hampshire College, and an MFA in Creative Writing from Louisiana State University. He is also the winner of the Hobblestock Peace Poetry Competition and the Esme Bradberry Contemporary Poets Prize. Gilsdorf is co-founder of Grub Street's Young Adult Writers Program (YAWP), and teaches creative writing at Grub Street, where he serves on the Board of Directors. Follow Ethan’s adventures at www.ethangilsdorf.com or Twitter @ethanfreak.

Writing and Selling Personal Essays about Deeply Personal Subjects Absent Fathers, Controlling Mothers, Treacherous Exes and Other Interpersonal Dysfunction: Writing the Publishable Relationship Essay
Ethan Gilsdorf

Journalist, memoirist, essayist, critic, poet, and teacher Ethan Gilsdorf is the author of the award-winning travel memoir investigation Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms. His work has been cited in the anthology Best American Essays 2016. His personal essays, fiction, poetry, reviews and other nonfiction have appeared in The New York Times, Salon, Boston Globe Magazine, Boston Magazine, Boston Globe, WBUR, Psychology Today, Poetry, The Southern Review,The Quarterly, Exquisite Corpse, The North American Review, and in several anthologies. He received his BA from Hampshire College, and an MFA in Creative Writing from Louisiana State University. He is also the winner of the Hobblestock Peace Poetry Competition and the Esme Bradberry Contemporary Poets Prize. Gilsdorf is co-founder of Grub Street's Young Adult Writers Program (YAWP), and teaches creative writing at Grub Street, where he serves on the Board of Directors. Follow Ethan’s adventures at www.ethangilsdorf.com or Twitter @ethanfreak.

Writing and Selling Personal Essays about Deeply Personal Subjects Absent Fathers, Controlling Mothers, Treacherous Exes and Other Interpersonal Dysfunction: Writing the Publishable Relationship Essay
D. Gilson

D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush with Will Stockton (Punctum Books, 2014); Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Prize. He is an Assistant Professor of English at Texas Tech University, and his work has appeared in POETRY, Threepenny Review, The Rumpus, and twice as a notable essay in Best American Essays.

Cut to the Quick: Flash Nonfiction Life Drawing: Public Persona Poetry
D. Gilson

D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush with Will Stockton (Punctum Books, 2014); Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Prize. He is an Assistant Professor of English at Texas Tech University, and his work has appeared in POETRY, Threepenny Review, The Rumpus, and twice as a notable essay in Best American Essays.

Cut to the Quick: Flash Nonfiction Life Drawing: Public Persona Poetry
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Sarah Green
Sarah Green is the author of Earth Science (421 Atlanta, 2016) and the editor of Welcome to the Neighborhood: An Anthology of American Coexistence (Ohio University Press, 2019.) A Pushcart Prize winner, Sewanee Writers' Conference Fellow, and Vermont Studio Center Fellow, her poems have appeared or are forthcoming in FIELD, Paris Review, Sixth Finch, Gettysburg Review, Copper Nickel, 32 Poems, Pleiades, Mid-American Review, Best New Poets, Verse Daily, The Incredible Sestina Anthology, and elsewhere. Spring Forward: A New Writing Habit Starter This is the Year: A New Writing Habit Starter THIS IS THE YEAR: A New Writing Habit Starter YOUR BEST BEACH BODY: Seven Prompts to Provoke and Invite Your Best Beach Body
Paul Guest

Paul Guest is the author of four collections of poetry, most recently Because Everything Is Terrible, and a memoir, One More Theory About Happiness. His writing has appeared in American Poetry Review, Poetry, The Paris Review, Tin House, Slate, New England Review, The Southern Review, The Kenyon Review, Ploughshares, and numerous other publications. A Guggenheim Fellow and Whiting Award winner, he lives in Charlottesville, Virginia.

Poetry and Apocalypse
Paul Guest
Paul Guest is the author of four collections of poetry, most recently Because Everything Is Terrible, and a memoir, One More Theory About Happiness. His writing has appeared in Poetry, The Paris Review, Tin House, Slate, New England Review, The Southern Review, The Kenyon Review, Ploughshares, and numerous other publications. A Guggenheim Fellow and Whiting Award winner, he lives in Charlottesville, Virginia. Poetry & Apocalypse
Kimiko Hahn
Kimiko Hahn casts a wide net for subject matter. In her latest collection Foreign Bodies, she revisits the personal as political while exploring the immigrant body, the endangered animal's body, objects removed from children's bodies, hoarded things, and charms. The Ghost Forest: new and selected poems is forthcoming. She is currently co-editing an anthology of zuihitsu. Hahn is the 2023 recipient of the Ruth Lilly Prize for Lifetime Achievement from The Poetry Foundation. She teaches in the MFA Program for Creative Writing and Literary Translation at Queens College, City University of New York. THE HYBRID POEM - LIVE
Marcie Hershman

Marcie Hershman is the author of the novels Tales of the Master Race and Safe in America, and the memoir, Speak to Me: Grief, Love & What Endures. Her essays have appeared in The New York Times Magazine, Boston Globe, Washington Post, Poets & Writers, Ms., Tikkun, Women’s Review of Books, Ploughshares, Agni, & on NPR. Anthologies include: The Norton Anthology of Women’s Literature, Creative Nonfiction, Amazon Poetry, American Fiction. Among her awards are those from the Bunting Institute, Harvard University; the L.L. Winship/Boston Globe Foundation; Massachusetts Cultural Council; Corporation of Yaddo; the MacDowell Colony. She has held the Hurst chair in fiction at Brandeis and taught for many years at Tufts University.  She currently leads a private writing group in Boston.

WRITING IN INTERESTING TIMES - LIVE
Krysten Hill
Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received a Jean Pedrick Prize in 2017. Her work has been featured in The Academy of American Poets' Poem-a-Day Series, Poetry Magazine, PANK, Up the Staircase Quarterly, Winter Tangerine Review, and elsewhere. She received a Vermont Studio Center Residency in 2023, a Mass Cultural Council Poetry Fellowship in 2020, and a St. Botolph Club Foundation Emerging Artist Award in 2016. Krysten is an educator and writer who has featured at the Massachusetts Poetry Festival, Boston Book Festival, Blacksmith House, New Hampshire Poetry Festival, and elsewhere. Say It Like You Mean It: Writing & Performing Dynamic Poems - LIVE
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Ann Hood
Ann Hood is the author of over a dozen novels, including the bestsellers The Knitting Circle, The Obituary Writer, and The Book That Matters Most. Her debut novel, the bestseller Somewhere Off the Coast of Maine, has been in print since 1987. She has also written five memoirs, including Comfort: A Journey Through Grief, which is the story of her five-year-old daughter Grace who died from a virulent form of strep in 2002. The book was a NYT Editors’ Choice and was named one of the top ten non-fiction books of 2008 by Entertainment Weekly. Her essays and short stories have appeared in many publications, including The New York Times, The Washington Post, The Los Angeles Times, The Wall Street Journal, Food and Wine, Traveler, National Geographic Traveler, The Paris Review, and many more. She has won two Pushcart Prizes, two Best American Food Writing awards, a Best American Travel Writing award, and a Best American Spiritual Writing award, Hood’s most recent book is her memoir, Fly Girl, which is about her eight years as a TWA flight attendant from the late 70s to the mid-80s, spanning the Golden Age of Flying through deregulation and the beginning of vast system wide changes. Ann Hood splits her time between Providence, Rhode Island and New York City with her husband, the food writer Michael Ruhlman. How To Write a Kick-Ass Essay How to Write a Kick Ass Essay How to Write a Kick-Ass Essay Start Making Sense: How to Make Order From the Chaos of Your Story Writing the Personal Essay Jumpstart Your Memoir FINDING THE STORY IN YOUR STORY: A MEMOIR WORKSHOP - LIVE Writing the Personal Essay Writing the Personal Essay Writing the Personal Essay: Winter Writing the Personal Essay: Fall JUMPSTART YOUR MEMOIR: SUMMER JUMPSTART YOUR MEMOIR: Spring JUMPSTART YOUR MEMOIR: Winter WRITING THE PERSONAL ESSAY: Winter JUMPSTART YOUR MEMOIR: Fall WRITING THE PERSONAL ESSAY: FALL Writing the Personal Essay: Summer Jumpstart Your Memoir: Summer Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: July Writing the Personal Essay: June Writing the Personal Essay: Spring Jumpstart Your Memoir: Spring Jumpstart Your Memoir: Winter Writing the Personal Essay: Winter Jumpstart Your Memoir: Fall Writing the Personal Essay: Fall Writing the Personal Essay: September Writing the Personal Essay: Spring Jumpstart Your Memoir Writing the Personal Essay: Fall
Abeer Hoque
Abeer Hoque is a Nigerian-born Bangladeshi American writer and photographer. She likes micro-goals, the limbo of uncertainty, and forgiving yourself. Her books include a coffee table book (The Long Way Home, 2013), a linked collection of stories, poems, and photographs (The Lovers and the Leavers, 2015), and a memoir (Olive Witch, 2017). She has won fellowships from the NEA, Queens Council on the Arts, NYFA, and the Fulbright Foundation, and holds BS and MA degrees from the University of Pennsylvania’s Wharton School of Business, and an MFA in writing from the University of San Francisco. See more at olivewitch.com. Writing Personal Statements & Applying for Grants
Pam Houston
Pam Houston is the author of the memoir, Deep Creek: Finding Hope In The High Country, which won the 2019 Colorado Book Award, the High Plains Book Award and the Reading The West Advocacy Award and more recently, Air Mail: Letters of Politics Pandemics and Place co authored with Amy Irvine. She is also the author of Cowboys Are My Weakness, Contents May Have Shifted, and four other books of fiction and nonfiction, all published by W.W. Norton. She lives at 9,000 feet above sea level on a 120-acre homestead near the headwaters of the Rio Grande. She raises Icelandic Sheep and Irish Wolfhounds and is a fierce advocate for the Earth. COMING BACK OUT OF THE DARK, BUT DIFFERENTLY: A GENERATIVE PROSE WORKSHOP - LIVE Writing Your Best Short Story/Short Autofiction/Personal Essay in One Month
Pam Houston
Pam Houston is the author of the memoir, Deep Creek: Finding Hope In The High Country, which won the 2019 Colorado Book Award, the High Plains Book Award and the Reading The West Advocacy Award and more recently, Air Mail: Letters of Politics Pandemics and Place co authored with Amy Irvine. She is also the author of Cowboys Are My Weakness, Contents May Have Shifted, and four other books of fiction and nonfiction, all published by W.W. Norton. She lives at 9,000 feet above sea level on a 120-acre homestead near the headwaters of the Rio Grande. She raises Icelandic Sheep and Irish Wolfhounds and is a fierce advocate for the Earth. COMING BACK OUT OF THE DARK, BUT DIFFERENTLY: A GENERATIVE PROSE WORKSHOP - LIVE Writing Your Best Short Story/Short Autofiction/Personal Essay in One Month
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter Translation as Creative Practice: Winter We All Write Sentences: Fall Translation as Creative Practice: Fall We All Write Sentences The No Po-Biz Po-Biz: How to Finish Your Poems for Publication Translation as Creative Practice
Rebecca Gayle Howell

Rebecca Gayle Howell's most recent book is American Purgatory, which was selected by Don Share for the 2016 Sexton Prize and named a must-read collection by both The Millions and the Courier-Journal. Howell's honors include fellowships from the Fine Arts Work Center and the Carson McCullers Center, as well as a Pushcart Prize. Since 2014, she has edited poetry for the Oxford American.

WE ALL WRITE SENTENCES: Fall We All Write Sentences: Spring We All Write Sentences: Winter We All Write Sentences: Winter Translation as Creative Practice: Fall We All Write Sentences: September Translation as Creative Practice We All Write Sentences: Spring We All Write Sentences: Winter